Reimagining believers for 2026

In 2026, we're looking for inventive and dynamic experiments that encourage young people to be curious, to explore, to be lifelong learners, to build community and become high agency people.
June 29, 2026
Bella Allen
Stamp it into the world. Bring it forward. Let it guide you and inspire those looking for something to create themselves. For to be truly creative is to give others the belief to simply begin.

For the past two years

For the past two years, Believers has been our way of reaching deep into the corners of Australia and Aotearoa, meeting such a wide variety of people and groups who too have been unleashing creativity in young people. We've funded civic science labs and analogue film co-ops, First Nations creative workshops and time-travelling duck storybooks, hardware battles and mobile art studios. Each one a reflection of the magic that lives in the chaotic intersections and spaces that defy a neat category or industry.

For the past two years, Believers has brought a new community to the Foundation - fellow philanthropists, groups, organisations, individuals - all people who share our DNA and vision for unleashing creativity in young people.

For the past two years, we’ve received hundreds of requests for funding. A great feat, but with it came its own set of challenges.

The first was applications. Despite a healthy amount of organisations coming forward, questions arose: "do they share the Foundation's mission of unleashing creativity in young people?" and "are we giving to projects part of bigger organisations that already have these resources available?"

The second challenge pointed out a more fundamental question for us: "are we being nimble enough to give out grants when they are needed most?"

So, to continue unleashing creativity in young people, we've decided that things need a bit of a refresh. We need the openness to unearth these future Believers but also the speed and conviction to make this process effective for those we fund.

In 2026, Believers will stay open year-round with two tiers of funding available.

Keep scrollin' for more details.

Kristy Dickinson, Believer and founder of First Nations-owned jewellery and fashion label, Haus of Dizzy. (Source: SmartCompany)
by
Bella Allen

What are we looking for?

We're looking to fund inventive and dynamic experiments that encourage young people to be curious, to explore, to be lifelong learners and to build community and become high agency people.

Two tiers of funding:

  • Tier 1 - $5,000AUD
  • Tier 2 - $5,000 - $10,000AUD

Eligibility:

  • Individuals, groups, or organisation established in Australia
  • The project takes place in Australia or Aotearoa New Zealand
  • The project will be completed within 12 months
  • The project's core focus and outcomes are creativity
  • Organisations with less than $1.5MAUD in annual revenue

Timing:

Expressions of interest for Believers are open all year round.

With Believers, we don't want to be prescriptive; we want to back wild ideas that explore the intersections of creativity, technology, science, media, storytelling, culture and arts. We have a high appetite for risk, and we're on the hunt for great people doing good work that creates true magic.

Go forth, begin! We can’t wait to meet you.

Submit your expression of interest

by
Bella Allen
written by
Bella Allen
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Exploring New Creative Frontiers: Into the Metaverse with Ivan Medrano


We talk all things metaverse, diversity in art, creativity and digital fashion with two-time Protostar alumni, Ivan Medrano
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The first issue of Ivan's digital magazine: The Independent Variable
interview with ivan merino
by Theia Gabatan

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“I’m really excited about how we can use the metaverse to challenge ethnographic practices within the art world. Within our institutions, there are so many instances in which people of colour have been put into narrative boxes.”

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The first issue of Ivan's digital magazine: The Independent Variable
interview with ivan merino
by Theia Gabatan

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“I’m really excited about how we can use the metaverse to challenge ethnographic practices within the art world. Within our institutions, there are so many instances in which people of colour have been put into narrative boxes.”

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